![]() ![]() Critique of "die empire boy" enables, most notably, a revaluation of "die process of identification in die negotiations ofcultural politics" (Bhabha 233). My basic thesis is that this figure recasts as "adolescence" die doubts, anxieties, incertitudes, and ambivalencies that begin, in this period, to trouble British imperial subjectivity and ideology. KIPLING'S STALKY AND CO.: RESITUATING THE EMPIRE AND THE "EMPIRE BOY" DON RANDALL Queen's University To contextualize this writing, I should say mat my recent scholarship focuses on a figure I call "die empire boy," which becomes prominent in British fictions in the latter half of die nineteenth century. In lieu of an abstract, here is a brief excerpt of the content: ![]()
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